Posts tagged: saxophone

A Corner of the Internet

By , June 25, 2018 2:03 pm

Thank you to everyone that’s watched the new video clips I have been putting up!

In the last several months, I thought a lot about what I wanted my career to look like online, and what I wanted to share and have accessible to others around the world (even if it’s just family and friends in Seattle and the random page view from somewhere else in the galaxy).  Video clips seemed to be a good way to put something out there musically that was independently my own content (kind of; the primary content owners so far have been David Fathead Newman and King Curtis, of course!) 

I wanted to be able to share musical elements with people that don’t necessary come to shows or performances that I am a part of, and I wanted to share material that I thought people should know about.  This affected the videos I chose to make, because in my online world I see a fair share of video clips that focus on bebop and bebop-influenced music, the type of saxophone playing that I would be most drawn to posting about, and all of the clips are burning; there are so many wonderful and talented saxophonists out there!

It’s very likely that out there on the interwebs somewhere is a huge contingent of saxophonists posting clips of and talking about R&B saxophone, and I have to break out of my bubble to see it.  If that is true, it is on me to expand my view and learn more about the styles I am exploring.  For now, I saw these Fathead Newman and King Curtis clips as examples of saxophone sounds that were underrepresented in my online circle, and I sincerely wanted to post something I cared about, something I thought people might like to see, that they don’t see a lot of on their feeds.

I guess the only other big part of online presence that I thought about was this website.  It looks a bit dated to me these days, but I’m also too busy (or too lazy) to try to revamp it myself, and I don’t have the money to pay a professional to make me something really hip, so the best I can do for now is keep it updated and blog as much as I can.  In that sense, I’ve already improved quite a bit over the last month or so, and hopefully I keep it up!

Thank you for reading and/or watching!

 

 

 

 

 

Writing

By , April 4, 2018 1:13 pm

Hi all,

It feels good to be a little more active in blog posting, so thank you to any of you that have checked out what I’ve been writing the past couple of months!

Polyrhythmics recently finished several days writing new music together, which is always very exciting.  Last time around, I had a few ideas for a song bouncing around in my head, and with the help of the band, and Grant in particular, that song eventually became Vodka for My Goat, which is on the most recent album.

This time, I didn’t have anything in mind for a new composition, which I was comfortable with going into the writing session; I was ready to add my musical voice to whatever the guys brought in, and if some organizational thoughts came up that I could share regarding other people’s songs, then so be it.

It’s not always easy to be comfortable in that role, though.  When the songwriting and compositional impulses are going strong for everyone else in the group, it’s hard not to feel like you need to pull your weight in that department.  There is definitely a stronger feeling of ownership in a project when you have a direct hand in the music-writing process.

So even though I did as I intended, helping to organize other guys’ ideas and trying to add small suggestions when I felt like it, there was a bit of insecurity for me in the session, which I’m still dealing with a little bit.  This is also compounded by some current feelings of stagnation in my playing, which I think comes from a couple of different places.

I’ve tended to focus my development on playing the saxophone and becoming a better saxophonist, or at least better at playing saxophone in my given approach/style.  One of the things I love about the instrument is the wealth of different ways to play it, all of which can take you down wildly different paths.  And although I occasionally stretch myself and work on writing and composing music, that pull does not feel as strong to me as the pull to work on the craft of playing the saxophone.

We will see what happens; the periods of time when I feel that pull to write music come and go, and when they come I will turn to my saxophone to bring that music out.  Improvising as a way to coax out music in my head has been somewhat successful in the past with Hardcoretet, as well as previously and currently with Theoretics, so I see no reason why it can’t help me bring something new to the Polyrhythmics table too. 

In fact, in the process of writing this post, I’ve already started trying to work with some ideas that have popped up in the last couple of days.  It would appear that composing is just a slower process for me, and being patient as well as persistent (hopefully) pays off!

 

 

 

 

 

 

 

 

 

3 Months In

By , March 10, 2012 2:57 pm

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So here I am, almost 3 months into working exclusively as a musician and teacher.

It feels as though my workdays have become compressed; lessons can’t start until kids get out of school, and gigs and rehearsals are almost always at night, plus most gigs are squeezed onto the Fridays and Saturdays of the week.  In this way, I kind of have an early night schedule now, which is kind of funny.  The trick, as I’ve told several of my friends, is turning that downtime during the day into something productive, which I’m still learning to do.  So far I think I’ve been doing okay.

I also feel like I’ve learned a bit about the business and non-musical side of playing saxophone over the last 3 months.  I’m really lucky to be playing in 3 bands with a member that has taken it upon themselves to handle those aspects, and in all 3 cases I’m really impressed with what they do.  Right now I’m just trying to watch them and pick up what I can.

Something I’ve been thinking about more and more is how important it is to believe in the value of your music.  It may seem obvious, but I have to condition myself to see the music I play as something of real value and importance, and a service worth paying for.

Of course, that mindset can be taken to an extreme, and of course I want to share my music with as many friends and family as possible (without milking them for money all the time), but I think I do need to get more into that mindset of music performance as a job, a job I enjoy and am lucky to have, but a job nonetheless.  And, by the same token, I always should work toward doing that job in a professional way and at as high a level as I can.

See you out and about soon!

-Art

 

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