Posts tagged: london

Tour Blog, Fall 2018, Day 9

By , November 15, 2018 11:58 am

Although tour has now ended, I am going to pick up where I left off and continue giving some day-to-day posts from the road. These will lead up to Polyrhythmics’ big shows in Portland this Friday and Bend this Saturday, as well as the grand finale in Seattle on November 24.

A few things about Eric Rouse.

Polyrhythmics met Eric at one of our shows years ago, and he’s come to many shows since.  For this Midwest run, Eric offered to drive himself, put himself up, and follow us on tour to sell merchandise for us.  This was incredibly gracious, obviously!  I didn’t know exactly how it would go, to be honest, because it’s so different to hang with friends at shows, when the focus is to have fun and get down, than work with them and have them deal with the business side of things the way that we do on the road.

Also, we’ve been lucky to have enthusiastic, genuine, and positive merchandise heads in the past; our good friends Lauren and Maxianne did several extended tours with us, handling all things merch-related.  But with this tour, Eric did awesome.  He was a valuable asset, and we were grateful to have him, as we have been with all of our merch family!

 

 

The Old Rock House in St. Louis was a beautiful restored old building (established in 1818!) with a big stage and big dance floor.  As I mentioned in the last post, the folks that brought us there were really enthusiastic, and the crowd was a little thin but absolutely could not wait to talk to us and tell us to come back.  The Gateway Arch looms over the entire city, and is really impressive.  I thought it was really cool, but I didn’t have time to explore.  After the show, I flew home to teach for a couple days (as well as do laundry, pay bills, and make sure the cats still recognize me).

I would meet back up with the guys on Day 12, in Boise.  More on that next!

Current listening:  Makaya McCraven, “Where We Come From”

After Elijah (I know him as Eli, but I believe he’s come to introduce himself as Elijah) and I connected on London artists like Shabaka Hutchings and Nubya Garcia, both of whom I’ve talked about before, he hipped me to Chicago musician Makaya McCraven.  McCraven played the Royal Room in Seattle a couple months back, it so happens, but his most recent album is a collaboration between London and Chicago musicians, with songs and improvisations remixed/cut up or left alone, and all released on a single record.  It’s a super inspiring project, with a story as interesting as the music itself!

 

 

Updates/Listening to the London Scene

By , September 11, 2017 1:26 pm

Hi all!

It’s been an eventful Summer:

–  Polyrhythmics played across the region, including the Eclipse Festival and the High Sierra Music Festival, where I had the opportunity to share the stage with both Skerik (who I talked with on the blog here) and Karl Denson, a musical highlight for me.  We added the finishing touches to the next album, set to release 9/20, and are asking fans, friends, and family to preorder it at http://www.pledgemusic.com/polyrhythmics .  Check it out!  There are other fun gifts and thank yous for supporting on that site as well.

–  Theoretics performed at Capitol Hill Block Party and are working on a new EP.  We’re continuing to move in a different direction from previous sounds, and I am really excited to continue.  To me, the music fuses a more composed, layered approach with a creative and spontaneous treatment of sounds and textures, and it’s changing how I think about writing and playing music, in a good way.  I hope to share it with you all soon!

–  I moved to a slightly different part of town with my girlfriend, a little more out of the way but still connected to what I need personally and musically.  With how busy things have been it has been difficult to really get settled (3 months later and we still have pictures to hang and boxes to unpack!), but all things in time.  Honestly, it has been nice to feel as though I’m getting away a bit when I come home; it has been easier for me to focus on what needs to get done.

 

In other news, I’ve been more and more interested in what seems to be a particular circle of creative musicians based in London, and it’s been fun to listen to their similarities and differences in sound based on that common geography.

I had heard the Heliocentrics from Adam, our drummer in Theoretics, quite a while ago, but recently, after they released a new full length album, I went back and got back into them.  In addition, they began popping up in my social media feed more.  Here is their drummer and producer, Malcom Catto, giving a tour of his recording studio (just click).  There also was a Gilles Peterson podcast on which Catto and bassist Jake Ferguson talked about some of their jazz influences, as well as influences outside of that genre like Ennio Morricone and Can.  Unfortunately, it looks like that podcast is not available anymore.

Listening to Gilles Peterson’s playlists after that was really informative because of their stylistic range; although genres like Electronica, Jazz, and Hip Hop are more fluid in America than they were 10 years ago, in my opinion, it seems they are still more fluid in Britain.

At the same time that I was listening to the materials above, I started listening to and following saxophonist Shabaka Hutchings.  As it turned out, Hutchings had worked with Heliocentrics in the past, but predominately plays with his own group Shabaka and the Ancestors, which sounds significantly different from Heliocentrics, in a good way.  Again, through social media I saw more and more from him – clips of interviews, concert footage (Hutchings posted a great clip of an Ancestors show where Kamasi Washington sat in, really beautiful), etc.  Also, check out his account of playing with the Sun Ra Arkestra:  A Meditation on my Experience with the Sun Ra Arkestra

A fourth element of this London scene I listened to was Yussef Kamaal, a duo collaboration with another unique take on creative London music.  Although the duo is no longer considered together, Kamaal Williams, aka Henry Wu, is quite active on my feed, and I’m interested to see what he does next.  And, as before, even with major differences in their musical approach, sound, and style, there is a common thread – Yussef Kamaal’s album Black Focus was engineered by none other than Malcom Catto of the Heliocentrics.

Anyway, I recommend checking out any of the artists mentioned above.  It has been enlightening and interesting listening to them over the last couple of months!

 

Art

 

 

 

Panorama Theme by Themocracy