Posts tagged: joe henderson

Library Music Finds

By , December 31, 2015 5:05 pm

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I’m going through another heavy library-listening phase, checking out CDs by the armful!  Here are some things I’ve been checking  out:

Grant Green, Idle Moments – The more I listen to Grant Green, the more I like his playing, specifically the thematic way in which he improvises.  Although it is sometimes repetitive, I think that repetition is really intentional and makes his solos more melodic, and his language is strong.  This record also has Bobby Hutcherson and Joe Henderson on it too, so there is an interesting meeting of approaches.

Billy Childs, Map to the Treasure:  Reimagining Laura Nyro – I had never listened to Nyro’s music before, so I don’t know how different Childs made these songs with the arrangements, but the arrangements are really moving and well done.  This album has has Becca Stevens on a few tracks, which led me to her album Perfect Animal, another cool record with unique sounds and really great vocal work from her.

Miles Davis Quintet, Live in Europe 1969 – I have to be ready for some pretty intense free/noise improvisation to listen to this era of Miles, but, as I like to say sometimes, the music and the band is undeniable.  Chick Corea, Jack Dejohnette, Miles, Wayne Shorter, and Dave Holland; this is the band before the Bitches Brew bands but after In a Silent Way, so you can kind of hear a transition happening.  It also came with a concert DVD, so it was fun to get a chance to actually watch these guys play.

Roland Kirk, We Free Kings – I think Kirk is pretty underrated, or at least pigeon-holed for playing multiple woodwinds at once, which is really cool and sounds great, but he also was really inventive and unique on singular horns too, working in and building on the bebop language, and I think he was very creative in terms of fusing bebop, blues, and free jazz together.

Rudresh Mahanthappa, Bird Calls – Also very intense music, but for me this record was inspiring in how unique Mahanthappa’s approach is to alto saxophone; you can hear the influences and the individuality together, and it’s clear he’s worked on his approach in a clear way.

Sergio Mendes, Herp Alpert Presents Sergio Mendes and Brasil ’66 – This was a pleasant surprise for me; I had just recently watched the documentary The Wrecking Crew, which talks a little bit about Alpert’s work in the ’60’s and 70’s, and when I saw this album I had to check it out, not just for Alpert’s name but also because I had Medes’ name as well but never listened.  Super strong mood and vibe throughout, with funky beats and cool tunes!

Anyway, that’s just a taste, I’m still going through a lot of things that I just found by sifting through the jazz sections of the cds at Seattle Public Libraries, and I can’t recommend it enough.  Even if jazz isn’t your thing, there are albums to be found in the other sections as well.

-Art

 

 

 

 

Tour Blog 3

By , May 4, 2014 11:18 am

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San Diego:  Our San Diego show was in the beach town of Ocean Beach, at Winston’s, where we’d played once before and had a really successful show.  Unlike last time, I went to the beach for a little while before we started, which was gorgeous!  A nice last look before we turned East.  Then I talked to my sis and got the recommendation for fish tacos (she lived in San Diego for a couple of years).  I also found a record store and got a Grant Green vinyl, Solid, with James Spaulding and Joe Henderson, two saxophonists I like.  Our gig was with a local band that I was familiar with through Twitter, Sure Fire Soul Ensemble, and they sounded awesome too; interesting tunes, cool sounds, and nice and supportive people to boot!  I made sure to grab one of their 45s!

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Then we took the left turn to head towards the middle.  First on that route was Phoenix, at Last Exit Live.  The building was kind of on the edge of town and the “green room” was an old airstream trailer; not a lot to look at on the outside.  But, sure enough, the inside was stylish and clean, and they had a fence that was hiding a big patio with nice tables and chairs everywhere.  Their sound system and staff was top notch (several of them from the well-known Recording Institute they have in Phoenix, where my friends Matt and Adam went), and the inside of the trailer was hip too!

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Our local connection there was the Phoenix Afrobeat Orchestra, and they tore it up!  Lots of energy, commitment to the Fela Kuti sound, and what looked like a community that was really into creative music; several of the audience members had just seen Kneebody in Phoenix the week before, after they played with Hardcoretet in Seattle, and they had listened to some of the Polyrhythmics before we got there and were really excited about us.

Around this time I was really becoming aware of how quickly I fell in love with all of the places we play.  I understand that I’m getting an unbalanced view, being somewhere one night, maybe two, and only encountering locals at the show, where obviously everyone is going to have similar personalities, but I can’t help but be fascinated with what it’s like living somewhere else and being immersed in music somewhere other than Seattle.  After all, I’ve never lived anywhere else.  It would be a long time before I ever moved – I have too many connections with friends, family, and musicians that would be too difficult to leave right now – but this tour in particular really got me thinking, and this is before the real kicker:  a week in New Orleans.

BUT FIRST:  An overnight detour to Telluride and a Lucky Brown reunion in Santa Fe!  All that and more in my next post.

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