Posts tagged: alto saxophone

Transcription Clip: John Coltrane, “I Hear a Rhapsody”

By , February 20, 2019 3:37 pm

Playing Alto Saxophone exclusively when I was studying in college means that most of my knowledge is still pretty deeply related to that voice; I didn’t learn songs or jazz solos in all keys (which I should have), and for most of my time as a musician I heard ideas on alto rather than on tenor.

Because of that history, I have been energized recently by learning jazz standards on tenor in addition to continuing to transcribe tenor saxophonists, and it is especially fun to work on Coltrane.  Even though I’ve listened to him quite a bit and learned 1 or 2 of his solos on alto, studying his playing while actually playing tenor opens up so much, and it’s great to actually play those Coltrane idioms I’ve heard for so long (or at least try to imitate them!). This clip is rough, with plenty of things I still need a lot of work on, but I’m really enjoying it so I thought I would post it here!

 

Short Transcription

By , May 30, 2018 11:15 pm

Hi all!

I have one more David Fathead Newman transcription to post, very short but really great and possibly one of Newman’s most iconic solo breaks:  his solo introduction to Ray Charles’ “The Right Time”.

I plan on diving into any interviews I can find with Newman after this; I tried to find any relevant biographies or an autobiography with no luck, but it looks like there are some other resources I can explore.  I hope to learn more about Newman and put a blog post together in the future!

Here’s the transcription:

 

Saxophone Siblings

By , April 15, 2018 4:48 pm

I started playing music by learning clarinet when I was 9.  I had 2 cassette tapes:  one of Swing clarinetist Benny Goodman and one of saxophonist Kenny G.  That ended up being the only Kenny G music I had, but I did go on to get several Benny Goodman tapes after that.

I then went on to listen to more and more jazz, and by the time I was 13, when I had the opportunity to play in Jazz Band at school, I was excited to play this music.  At the time, however, the band did not allow clarinets, so if I wanted to join I had to play the saxophone.  

I don’t remember being disappointed about it, and in fact I think I was excited to learn this instrument that was in so much of the music I listened to, so I was given an old Alto Saxophone from one of my cousins and things kind of took off after that.  I’ve been playing alto ever since.

After college, I bought a Tenor Saxophone from an old friend and would play it by myself sometimes, but never really worked with it; all of my gigs were on alto, and I considered myself an alto player.

Then one day Scott Morning recommended me for a new band, and assured the members that I did, in fact, play tenor (although at the time he didn’t know for sure!)  That was my introduction to Polyrhythmics.

As Polyrhythmics continues to move forward each year, I have deepened my commitment to being a better tenor player.  Although the 2 instruments are closely related, they really do require different things, and most importantly the voices are distinct and very different from each other.  

It’s difficult to maintain a balance, because I never want to stop playing alto.  It’s where I began and I still feel like it’s an important voice to me.  But I think some of the difficulties I’ve had lately (that I hinted at in my last post) come from an underdeveloped voice on tenor saxophone.  After all, I have 20 years of playing alto to try to catch up on if I really want to strike a balance.

As I said, alto will always be a part of me, and I will continue to use it as a primary voice in Theoretics, as a well as a part of my sound in Unsinkable Heavies.  But I am also excited to expand and explore tenor sax more seriously in the years to come!

 

Panorama Theme by Themocracy