Posts tagged: alto saxophone

Short Transcription

By , May 30, 2018 11:15 pm

Hi all!

I have one more David Fathead Newman transcription to post, very short but really great and possibly one of Newman’s most iconic solo breaks:  his solo introduction to Ray Charles’ “The Right Time”.

I plan on diving into any interviews I can find with Newman after this; I tried to find any relevant biographies or an autobiography with no luck, but it looks like there are some other resources I can explore.  I hope to learn more about Newman and put a blog post together in the future!

Here’s the transcription:

 

Saxophone Siblings

By , April 15, 2018 4:48 pm

I started playing music by learning clarinet when I was 9.  I had 2 cassette tapes:  one of Swing clarinetist Benny Goodman and one of saxophonist Kenny G.  That ended up being the only Kenny G music I had, but I did go on to get several Benny Goodman tapes after that.

I then went on to listen to more and more jazz, and by the time I was 13, when I had the opportunity to play in Jazz Band at school, I was excited to play this music.  At the time, however, the band did not allow clarinets, so if I wanted to join I had to play the saxophone.  

I don’t remember being disappointed about it, and in fact I think I was excited to learn this instrument that was in so much of the music I listened to, so I was given an old Alto Saxophone from one of my cousins and things kind of took off after that.  I’ve been playing alto ever since.

After college, I bought a Tenor Saxophone from an old friend and would play it by myself sometimes, but never really worked with it; all of my gigs were on alto, and I considered myself an alto player.

Then one day Scott Morning recommended me for a new band, and assured the members that I did, in fact, play tenor (although at the time he didn’t know for sure!)  That was my introduction to Polyrhythmics.

As Polyrhythmics continues to move forward each year, I have deepened my commitment to being a better tenor player.  Although the 2 instruments are closely related, they really do require different things, and most importantly the voices are distinct and very different from each other.  

It’s difficult to maintain a balance, because I never want to stop playing alto.  It’s where I began and I still feel like it’s an important voice to me.  But I think some of the difficulties I’ve had lately (that I hinted at in my last post) come from an underdeveloped voice on tenor saxophone.  After all, I have 20 years of playing alto to try to catch up on if I really want to strike a balance.

As I said, alto will always be a part of me, and I will continue to use it as a primary voice in Theoretics, as a well as a part of my sound in Unsinkable Heavies.  But I am also excited to expand and explore tenor sax more seriously in the years to come!

 

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