Category: Life

Possibilities

By , May 11, 2016 3:31 pm

IMG_0580

The Polyrhythmics tour to New Orleans and the Southeast, from Kentucky (or, as some call it, Kenpucky,) to Florida to North Carolina and beyond went relatively smoothly, with many new areas visited from both the band perspective and a personal perspective.  I enjoyed the cultures and people in the South so very much, and loved having the opportunity  to play music there; once again I felt a real appreciation for professional musicians and bands in the cities to which we traveled.

Even before this tour I had a few long drives, so I checked out a book on tape:  Possibilities, an autobiography by Herbie Hancock.  I really liked it!  Herbie goes into detail about how certain musical projects and bands came about, and what the dynamic was like in those groups, as well as how his musical philosophy changed (or stayed the same) throughout his long career.  Definitely some interesting perspectives from a guy that has been TCB’ing (Taking Care of Business) for quite a while.

I would also recommend, to other aspiring professional musicians in particular, this interview with drummer and producer Jojo Mayer that Adam Gross recommended to me.  There were a few observations from Mayer there about where you work and play music versus where you live, the decisions you make regarding your life as a professional musician, and what the music business means to him.  Good stuff.

I think each time I return home after 2 or more weeks away I engage in the same self-reflection, but once again it’s really hitting me that music is my professional future, both teaching and playing.  For a while after college it was in the background of my professional life; something I was doing intermittently when I wasn’t busy working.  Then, even when it was in the forefront, I assumed that someday I would have to push it back again.  I think I’m getting closer to eliminating that assumption, which feels really good.

 

 

 

 

Updates

By , February 16, 2016 1:39 am

12509159_10206925407631080_8076351819740086810_n

Thanks for another awesome photo, Chris Davis!

 

Hi all,

It may be a little late for a New Year’s post, but here are some things happening for me now and things I’m looking forward to this year.

The Unsinkable Heavies continue to play every 3rd Wednesday at the Seamonster, and we have had a few opportunities to get out and play some more around town as well.  The band has really come into a particular vibe and sound that I think separates it from other similar groups.  That kind of clarity is important with the Heavies since we all play in the Polyrhythmics as well, but I think the two are distinct and different musical experiences.

Both Polyrhythmics and Theoretics are keeping busy, working on new material while still trying to push outward and share our music.

Because Theoretics (at least in its current form) is a little newer, one of my goals for the band is to get some real momentum with both live shows and new music.  Over the last couple of months I’ve talked with more and more people that like what we do, which is really encouraging, and, as with the Heavies, our musical style is becoming more and more solidified.

With Polyrhythmics, I’m looking forward to working on more new material and continuing down the path that we largely started on last year.  I’ve started to participate a bit more in the creative process with the band, and I’m excited about what comes out of it.

Lastly, teaching is going well, and in addition to giving private lessons I feel really lucky to be able to work with Seattle Repertory Jazz Orchestra’s Jazz Scholars program, where I can help give musical inspiration and motivation to kids who may not have the same support that I did when I was their age.  Check out their page here for more information!

 

Art

 

 

 

Library Music Finds

By , December 31, 2015 5:05 pm

spl-logo

I’m going through another heavy library-listening phase, checking out CDs by the armful!  Here are some things I’ve been checking  out:

Grant Green, Idle Moments – The more I listen to Grant Green, the more I like his playing, specifically the thematic way in which he improvises.  Although it is sometimes repetitive, I think that repetition is really intentional and makes his solos more melodic, and his language is strong.  This record also has Bobby Hutcherson and Joe Henderson on it too, so there is an interesting meeting of approaches.

Billy Childs, Map to the Treasure:  Reimagining Laura Nyro – I had never listened to Nyro’s music before, so I don’t know how different Childs made these songs with the arrangements, but the arrangements are really moving and well done.  This album has has Becca Stevens on a few tracks, which led me to her album Perfect Animal, another cool record with unique sounds and really great vocal work from her.

Miles Davis Quintet, Live in Europe 1969 – I have to be ready for some pretty intense free/noise improvisation to listen to this era of Miles, but, as I like to say sometimes, the music and the band is undeniable.  Chick Corea, Jack Dejohnette, Miles, Wayne Shorter, and Dave Holland; this is the band before the Bitches Brew bands but after In a Silent Way, so you can kind of hear a transition happening.  It also came with a concert DVD, so it was fun to get a chance to actually watch these guys play.

Roland Kirk, We Free Kings – I think Kirk is pretty underrated, or at least pigeon-holed for playing multiple woodwinds at once, which is really cool and sounds great, but he also was really inventive and unique on singular horns too, working in and building on the bebop language, and I think he was very creative in terms of fusing bebop, blues, and free jazz together.

Rudresh Mahanthappa, Bird Calls – Also very intense music, but for me this record was inspiring in how unique Mahanthappa’s approach is to alto saxophone; you can hear the influences and the individuality together, and it’s clear he’s worked on his approach in a clear way.

Sergio Mendes, Herp Alpert Presents Sergio Mendes and Brasil ’66 – This was a pleasant surprise for me; I had just recently watched the documentary The Wrecking Crew, which talks a little bit about Alpert’s work in the ’60’s and 70’s, and when I saw this album I had to check it out, not just for Alpert’s name but also because I had Medes’ name as well but never listened.  Super strong mood and vibe throughout, with funky beats and cool tunes!

Anyway, that’s just a taste, I’m still going through a lot of things that I just found by sifting through the jazz sections of the cds at Seattle Public Libraries, and I can’t recommend it enough.  Even if jazz isn’t your thing, there are albums to be found in the other sections as well.

-Art

 

 

 

 

East Coast, California, and Oregon

By , October 21, 2015 3:46 pm

IMG_2317
Home again home again after a busy couple of weeks:

– The Polyrhythmics East Coast Tour was overwhelmingly positive, both individually and as a group. Although our time in each area or city was usually pretty short, I really enjoyed being in areas where the moods, personalities, and cultures were a bit different than that of the Northwest, from New England to New York to DC to North Carolina. Equally interesting were the parts of some of the cities that I found really similar to Seattle and the Northwest; sometimes it was the way a town felt, sometimes it was the way the people were, sometimes it was something else. Regardless, there was strong support and love for our music, which was heartwarming. New York in particular was wonderful; I reunited with several friends with whom I always enjoy catching up.

– After that, our stops in California and Oregon were familiar in the best of ways. Many of the venues we’ve played several times before, and it’s comforting to know that the place you’re playing any given night likes you and will treat you well, and you will probably see some familiar faces too! I talked about music a lot with a couple of the guys on this run, discussing where we see our music (both as individuals and as a band) fitting in compared to all of the other music getting made out there. I always find those conversations very rewarding, and think it makes me a better musician (or at least makes WANT to be better).

The Polyrhythmics twitter and instagram accounts were pretty active on these runs, so there are more detailed descriptions of the tours here and here.

It is not easy to make tours like this happen (much of the credit should go to Ben Bloom, our guitarist and tour manager), and there are sacrifices each of us in the band make to do it, but I feel very fortunate to be along for the ride.

On to the next!

Listening

By , September 16, 2015 4:05 pm

I’ve been able to put in some significant practice time recently, which has felt great!  Here’s what I’ve been working on:

This was a track I heard in the Polyrhythmics van; Ben had recently came upon a Grant Green boxed set, and although it’s off of a Lou Donaldson album, Green’s solo really intrigued me and got me into the practice phase I’m in now that is mostly focused on learning vocabulary.

For the last couple of years, my playing has revolved around approaches and concepts, using scales or intervals to improvise and write music. This is different to me than using vocabulary, actual melodic phrases and specific musical “sentences”. I believe I moved away from that because it is easier to fall into cliche and predictability, but coming back to it I find my ideas to be more concrete, and I’m not as concerned about being predictable; every phrase I play, whether it’s coming from another musician or not, still goes through my brain, and is therefore different than it was before.

A couple more I’m working on now:

Clifford Brown’s solo. They way he weaves phrases together is incredible.

Gene Ammons’ solo. This has one been fun because I haven’t transcribed very many solos for tenor saxophone, and it gives me a chance to work on a different style of playing than I am used to.

Hopefully, this practice trend will continue. I’m really excited by its effect on my musical focus and motivation!

– Art

Updates

By , August 22, 2015 7:18 pm

July and the beginning of August has been some of the busiest times for me in recent memory!  Here’s what I’ve been up to:

 

– I went to Chicago to see my sister graduate and become a doctor in Psychology, very exciting!  Over the 4 years that she lived there I visited several times, and I enjoy that city very much; to me it has a very clear cultural identity that is colorful and rich.

 

– I played with Theoretics on KEXP’s morning show.  Although I had done an in-studio performance there before with Polyrhythmics, it is always thrilling to know you are being broadcast on the radio.  I also appreciate what KEXP does for creative music in Seattle (along with NPR stations KPLU and KBCS).

 

– I performed a few pick-up gigs with musicians I admire:  Tarik Abouzied, Ian Sheridan, Joe Doria, Brennan Carter, Jeff Johnson, and Jake Svendsen.  It’s always a pleasure to play music as well as talk with these guys and get their viewpoint on things.  Jeff in particular is someone I look forward to playing with every time because I view him as an older music master and local legend, so whenever I play with him I feel as though I’m with a mentor, and there is always something I learn from playing and hanging with him.

 

– I kept a steady weekend-warrior-style tour schedule up with Polyrhythmics and Theoretics.  I had the opportunity to play at the Capitol Hill Block Party, the Guitarfish Festival, the Northern Rockies Music Festival, the Kaslo Jazz Festival, Summer Meltdown, the South Lake Union Block Party, Doe Bay Fest, and the For the Funk of it Festival, and I traveled to cities and areas all around Washington, Oregon, Idaho, California, and Nevada.  Crazy!

 

I put up a bunch of new pictures in the Photos section, and I uploaded many videos from my travels onto a “Summer Performances 2015” playlist on my youtube channel ( https://www.youtube.com/channel/UCYy1yby1nObZRmIM1hh7G3A/playlists ) , so check those out!

 

– Art

Roy Orbison and Local Music Circles

By , May 28, 2015 11:24 am

orbison

I had a fun opportunity a couple of weeks ago to perform in a tribute to the music of Roy Orbison, a musician whose most popular songs I’m familiar with but who also wrote and performed a lot of material less well-known to me.  It was fun and interesting to play the show and get a little deeper into his sound and style.  Granted, it’s not as though I was playing with the man himself, but the band and lead vocalist really knew the material well, and were into playing it as faithfully as possible.

I also played in the opening band, The James Apollo 5, and I’ve had the opportunity to play with them several times now in a 2-piece horn section with Scott Morning (thanks Scott!)

Playing with the people in both of those groups gave me a view into some Seattle music circles I’m not as in touch with, which can be very enlightening.  It’s easy for me to stay involved and informed about the circles I already consider myself  a part of, or at least circles I have close friends or peers in, but there is SO MUCH music, of all kinds, being played, and I think it was good to be reminded that it can be beneficial to step outside of my musical comfort zone sometimes.

When I stop to think about it, I can think of many musicians in the Seattle scene that move between musical circles comfortably on a regular basis, without ever losing their unique voice and sound, and I really admire that.

With that being said, there’s also so much music happening inside (what I consider) my circles, and musicians that have a more focused or singular vision of what they want to play, which I also admire and respect.  I guess it’s always a bit of a balancing act.

Strong music supporter John Lalonde once compared the Seattle music scene (or, specifically, the attempt to keep up with the scene) to “drinking from a fire hose”, meaning that there is so much great stuff happening all the time it can be easy to get blown away (John, that was you that coined the phrase, right?)  It seems as though this post really just reiterates that sentiment in a different way.

What a great problem to have!

– Art

 

 

News

By , April 6, 2015 3:59 pm

Hi everyone!

Lots of exciting stuff happening.  Polyrhythmics just returned from 4-day west coast tour that culminated in a show at the Great American Music Hall in San Francisco, CA.  The Hall has been the site of many amazing concerts over the years, and is a beautiful room to play in.  I felt very lucky to play there!  The Polys will be going down to New Orleans for JazzFest once more at the end of this month, another place that seems like a blessing for me to visit.  I look forward to taking in as much music as I can and getting input and advice from other musicians.

1798801_10203591249373799_5772432801414670965_n

Theoretics are gearing up for several festivals this Summer, which is very exciting since the band is, to me, still pretty young, at least with its current sound, and I think there are a lot of new listeners out there that will really appreciate what we do.  Our Seattle show at the Tractor Tavern went very well, and we will be opening up for Robert Glasper on April 14 at Neumos.  I have enjoyed Glasper’s music for a while now (here’s an older post about him here ), so this is a great opportunity to maybe get a little closer experience!

Teaching is going well, although working out the education/performance balance is constantly ripe for improvement.  For the future, I am thinking of experimenting with Skype lessons while on the road, as well as keeping students more informed about what touring and performing is like.  Perhaps a mailer or more consistent blogging is in order…

Art

P.S.  Check out The Main Squeeze.  This is the band we shared the stage with in San Francisco.  Great stuff!

 

 

Greetings From The Road!

By , February 18, 2015 11:24 pm

The Polyrhythmics are currently on our way out of Louisiana, heading toward Colorado.

IMG_1124 (1)

The Mardi Gras celebration in New Orleans was more colorful and vibrant than I could have imagined, and although the multiple parades and costume balls range from neighbor and family friendly to parties that were for older folks, the one thing that was everywhere was MUSIC!

Just as it was last year after our trip to NOLA during JazzFest, I was sad to leave the city. I love being a part of the music community in Seattle, and I never want to leave it, but it always feels special to be in New Orleans, and I think it’s a city I want to continue to visit throughout my life.

Other news: Theoretics have released a new EP, and I think the music we made on it is unique, exciting, and creative in a way that I am very proud of. You can check it out here: https://soundcloud.com/theoretics/theoretics-fugue-state

A few other recent performances I found really musically fulfilling:

Tim Kennedy Quintet at Tula’s – Tim’s original material allows all of us to interact and make great music together.

Lucky Brown and the Super Premium Chiefs at Port Townsend’s Strange Brewfest – More on Lucky here

 

We’re moving on to Wyoming and Idaho from here, then we head home to Seattle.  See you all soon!

– Art

 

 

 

 

 

 

 

 

 

Tour Blog 5

By , June 18, 2014 3:34 pm

When I left off, we were heading to Texas, a state I had never visited before, pretty exciting!  It was an early departure from Santa Fe, and it was going to be a long day of driving, but luckily there was no gig we had to get to, just a hotel room waiting at the end.

photo1

Ben and Nathan took the lion’s share of the drive.  High priority for everyone was to get some real Texas barbecue at some point, which we did in Amarillo, at Tyler’s Barbeque.  The owner talked to us for a while – apparently they get bands in there fairly frequently – and he was really hospitable and nice.  He told us about Texas and we told him about the Northwest, which he’s visited once or twice, and he asked us about touring and the van we use, among other things.  It was a great first Texas experience for me!

10257046_10202612002839540_3431751094876587570_n

The weather took a pretty nasty turn during Nathan’s part of the drive, although I was asleep for most of it.  Some of the darkest stormclouds anyone had seen before rolled in and there were heavy rains for a couple of hours.  But we made it through and Nate kept chugging until we got to Dallas to stop for dinner.  From there it was an hour and a half to our hotel in Houston.

The next day we were playing at Plonk Wine Bistro, and we weren’t really sure what to expect.  From what we gathered, it wasn’t a traditional music venue; the owner would pay for an outdoor live music event 3 or 4 times a year as a  kind of celebration for his regular patrons and friends.  Because of this, and the fact that we had never played in town before, we didn’t know if anyone showed up.  As it turns out, people did show, and they were really enthusiastic!  There was a fair amount of New Orleans transplants there too; it appears as though they’ve built their own live music community there in Houston, pretty cool!

The next morning was a somewhat early one so that we could make it on time to our load in at the Austin venue, Speakeasy.  My friend Lindsay had been in Dallas visiting family, and she made the trip down to Austin to come to the show, which was very awesome of her!  I had a delicious gourmet hot dog at a stylish hot dog shop/coffee shop/bar (seriously) and then met Lindsay at Fado, just like Seattle.  She showed me around town a little bit, although not as much as I would have liked but time was a little limited.  One of the bars we stopped at had Western dancing lessons in the evening and then a dance band at night that you could try your moves out with, which seemed pretty fun, and Stubb’s barbecue was served outside.  This was a big deal for me because I only knew of Stubb’s from the barbecue sauce that’s sold in grocery stores in Seattle; to be somewhere where the real deal was cooked was a neat experience!  Of course, the night was warm, so there were bike cabs everywhere, moreso than in Seattle, so that was a little different scene too.

The actual performance at Austin went okay; the conclusion we came to was that the venue just wasn’t a good fit for us.  There was a comedy show in the front room while we were in the back, and anyone coming in had to pay cover for both, not a great business strategy.  Oh well.  I’m excited to go back to Austin someday, as I enjoyed the people and the city seemed really hip!

Also, big shout out to Amy for a nice stay at an apartment that belonged to friends of hers, beautiful river-view and enough room for 9, what a blessing!

OKAY…next up:  New Orleans.  I’ve already talked off many of your ears about NOLA if I’ve seen you recently, but it’s already been a month since the trip (geez, time is moving quickly these days), so I think it will be good for me to reiterate a lot of my thoughts on the blog, hopefully you enjoy it.

 

 

 

 

Panorama Theme by Themocracy