Category: Life

Tour Blog, Fall 2018, Day 8

By , November 14, 2018 2:23 pm

Although tour has now ended, I am going to pick up where I left off and continue giving some day-to-day posts from the road. These will lead up to Polyrhythmics’ big shows in Portland and Bend this weekend, as well as the grand finale in Seattle on November 24.

“Will it play in Peoria?”

Before I left for tour, my dad told me about this figure of speech.  I had never heard it before, but if there’s a whole Wikipedia entry for it, it must be worth something, right?

Our gig in Peoria brought us back into Illinois, to Kenny’s Westside Pub.  Kenny’s had some delicious takes on Irish pub food and some very energetic costumed music fans.  This was one of the latest shows on the tour, and although we were a little paranoid we’d be wiped, I think the energy was up until the end, even as a loyal handful of folks were still partying.

After playing Kenny’s, on the drive to our hotel, I had a good conversation with Ben about expectations and ticket sales on this Midwest tour.  The promoter for our Peoria show is also responsible for booking other events and venues in the area, and the booker at our St. Louis show the following night was in a similar role there.  Most of my experiences playing gigs deals with venue owners and people that work for the venue directly, and for better or for worse, that sometimes makes their number one priority filling the room and selling tickets.  Granted, you can’t play music that nobody likes; you have to find the audience and the appropriate spaces to do what you do, and try to run business accordingly, but it occurred to me on this tour that I don’t think about “tastemakers” all that much, and that’s what these guys are doing.  

I’ll talk more about St. Louis in the next post, but both promoters were extremely passionate about our music after we finished our shows.  They were ready to go to bat for us if nobody showed up and were ready to go to bat for us after people lost their minds too, and in writing this post I’m thinking about some of the people I know in Seattle that do the same thing, some working at venues, some running festivals or non-profits, etc.  

Sometimes it’s easy for me to be apprehensive about venues and promoters, to think that some will book anything that sells tickets.  But in general, I’ve been lucky to deal largely with people that are on the same mission I am, and the more I can reason out my cynicism and get rid of it, the better things will be, I think.  Thank you, all you tastemakers!

Current Listening:  Noname, “Room 25”

I caught a little bit of Noname at Capitol Hill Block Party some time ago, but this tour I listened to her most recent album, “Room 25”, and I like it a lot.  I think the songs are well-written and create a real mood, and Noname is a very talented vocalist and musician.  Check it out!

NEXT, for real this time:  St. Louis

 

 

 

Tour Blog, Fall 2018, Day 7

By , November 13, 2018 2:13 pm

Although tour has now ended, I am going to pick up where I left off and continue giving some day-to-day posts from the road. These will lead up to Polyrhythmics’ big shows in Portland and Bend this weekend, as well as the grand finale in Seattle on November 24.

After Chicago we had an early morning departure to take a long drive to Cleveland.  There were a couple of these early morning drives, with a lot of ground to cover to get to the next town and 9 band members that will need restrooms, coffee, and food along the way.  We have definitely gotten better with moving as quickly as possible while being as healthy as we can in terms of getting sleep and getting sustenance, but it can be really challenging.  It is very clear why tour managers are important, but until the day comes when we can have someone to take on that role, Ben does an amazing job managing the drive, coordinating schedules, and herding all of us.

The Music Box in Cleveland was a beautiful large room with tables and dinner service, although it also had a large dance floor in front.  It was right on the river front (the Cuyahoga), and had some really pretty views of the city.  Thanks to my forgetfulness, I got to drive through the city again the next morning to go back to the club; I had left my duffel bag backstage…

To me, Cleveland had a feeling of revamping and renewing the old and historic, creating cool and interesting neighborhoods out of its blue-collar background.  I liked what I saw, quickly that day.

The band we played with was Wesley Bright and the Honeytones, who have a recording out on Colemine Records, the same label that our friends DLO3 worked with and that put out Polyrhythmics’ very first 45 record.

Wesley and the band were awesome and super nice, and we got a chance to talk a little bit about the scenes in Cleveland and Seattle. As usual, the outside view of Seattle in general was that it’s wonderful and way too expensive, which none of us can really take issue with; it does, however become a little disheartening when you hear it in each city you visit. All in all, it was a good hang, and Cleveland was a good new experience for me!

Current listening: The saxophonist and flautist in the Honeytones, Nathan Paul, is a bandleader and composer himself – in addition to being a burning player – and has a really killer modern jazz (that’s how I’d describe it, hopefully Nathan is okay with that) album on iTunes called Bootleg Music. I’m having trouble posting the link but check it out, it’s really amazing music!

Next up: St. Louis!

Tour Blog, Fall 2018, Day 6

By , October 27, 2018 8:57 am

Polyrhythmics play Chicago for the first time!

My sister has lived in Chicago for some years now, so I was happy she would get the chance to see the band in her town. As it turned out, the venue, the Tonic Room, was about a 10-minute-walk from her apartment, so it was an area I was familiar with, and I felt like I knew the neighborhood. It also ended up being just down the street from Kingston Mines, the blues club we went to the first time I had ever been to Chicago, so it kind of felt like I’d gone full-circle.

Trying to meet up with friends and loved ones in other cities while on tour is tough; the schedule involved in mobilizing all 9 members, getting to the venue, loading in gear, soundchecking, and starting the show is large and unpredictable, so you have to get creative to find those holes of time to jump away and meet up. Despite that, I think it’s always worth it, even if it’s a quick chat to catch up.

This time around I managed to meet Emily and her friend for quick dinner at a great taco spot, and get some quality brother-sister time before the show. The venue, the Tonic Room, was small but for us to play the first time out it was the right size, and the show ended up being a fun party.

There wasn’t much time to linger, as we had to leave by 7 the next morning to get to Cleveland, which I’ll write about next.

Current listening: Jennifer Hartswick, “Nexus”

I first heard Jen Hartswick when she sat in with Polyrhythmics at a show in Portland early on. Ben knew her through some friends, and I came to find out that she has been a regular collaborator with Trey Anastasio in his solo projects for a long time, in addition to being gigging musician in Nashville and in other bands around the country. She’s a killer trumpet player and singer, and her most recent album was co-produced with Christian McBride, a musician I’ve admired for a long time. Check it out!

 

 

 

 

Tour Blog, Fall 2018, Day 4

By , October 25, 2018 12:34 pm

On Tuesday night we played in St. Paul, Minnesota, at a club called Vieux Carre.

Vieux Carre is a sit-down dinner club that focuses on the food and culture of New Orleans, as evidenced by the name. The walls of the club are covered with beautiful black and white photos like the one below of Allen Toussaint and Dr. John.

Polyrhythmics don’t play very many dinner shows, but I enjoy them because it reminds me of going to Seattle clubs like Jazz Alley and Tula’s, especially when I was younger and imagining what it was like to play on those stages for a quiet audience at tables.

As it turns out, a combination of a small group of passionate fans and a large group of strangers visiting town for business made for an unexpected vibe, but everyone had fun and we played well.

Next up I’ll talk about Milwaukee, which we played last night.

Current listening: Smack Talk’s in-studio session for KNKX: http://www.knkx.org/post/modern-jazz-rock-seattle-s-smacktalk

I’m happy Seattle has a station promoting great new music with the in-studio sessions, and I’m recognizing more and more how many really talented musicians there are in town that I don’t know about, which is both sobering and motivating; it keeps me inspired to work hard on my music too.

Tour Blog, Fall 2018, Day 3

By , October 24, 2018 8:46 am

I’m a day or so behind but I’m going to keep going!

In Lincoln, Nebraska we played the Zoo Bar, a small blues club that opened in 1973. The walls were covered with old posters and flyers with some of the biggest names in blues music, all of whom had played the Zoo Bar at some point.

We played an early Sunday evening show, which the club doesn’t always do, so the room wasn’t packed, but the people there had a lot of nice things to say about the music and bought records and merchandise, so for a Sunday, which is often an off-day for playing shows, it wasn’t too bad.

I enjoy trying to get into the history of clubs like the Zoo Bar; I hope that it keeps me aware of the history of live touring music and touring musicians.

I try to prepare as much as I can for being away from home, but it is still difficult. I set my alarm for the same time Jessica and I get up at home, so we can text and wake up together, and I text and call when I can. Inevitably, though, every time I leave something breaks or goes wrong at the apartment, like clockwork. Which isn’t to say she can’t take care of it; she’s a tough cookie. It’s just that it’s easier to take those things on as a team, and it’s hard to be away.

We’ve had a couple long drives, and most of the guys sleep or have headphones on, but we talk a lot too, often about a wide-ranging array of topics. When you’re in a van for 8 hours, it’s not unusual for conversation to move from music to teaching music students to the future of memory retention to robots and Artificial Intelligence to genetically rare reptiles and amphibians (thanks Karl!)

Next post I will write about St. Paul, which we played last night.

Current listening: Nubya Garcia, an awesome saxophonist from London. I’ve really been digging this track: https://youtu.be/qndu03MaVSE

Tour Blog, Fall 2018, Day 2

By , October 22, 2018 11:23 am

Hi Everyone! I’m blogging from Nebraska.

Our first show of the tour in Denver went well.  I think we’ve built a little following over the several times we’ve played there, and the city has a certain circle of folks that are into creative groove-based music.   Also, I always look forward to meeting up with my old friend Justin and his friends when I visit there.

I lived with Justin, along with my friend Josh, together for several years around 2008, the same time that I left my job as an office assistant and committed to teaching and playing music full time.  I think sharing the same space when I made that transition has given Justin particular insight into my professional journey.  Since he’s moved, we still talk about music and bands, and how everything is going with my musical career.  Plus, he’s probably second only to my fiancé Jessica in dedication to following artbrownmusic.com posts!

As always, I thank him and his friends for the support, and for making the trip down from Colorado Springs.

Tomorrow I’ll write about our show in Lincoln, thanks for reading!

Current listening:  really cool sounds and music from the band called The Internet, recommended by our drummer Grant.  Check it out!  WARNING:  some explicit language

 

Art

 

 

Tour Blog, Fall 2018, Day 1

By , October 20, 2018 5:39 pm

Hi all! I thought I would try to bring the tour blog back (it’s been years!)

Last night/this morning I took a 12:50 am flight to Denver, arriving at 4:30 am by myself. The Polyrhythmics van and trailer were somewhere near there at the time, having left Seattle Thursday morning with a few members in tow. I chose, as several others did, to stay in town yesterday and today to work, teaching as many lessons as I can before a long break, and take a budget flight (as much of a budget as it can be) to meet up with everyone tomorrow.

Any given tour involves many of us making that type of decision, balancing time, money, various jobs, and being with loved ones, and working out a vague equation of when we can afford to hit the road and when we have to get creative.

When it all comes down to it, though, we in Polyrhythmics have decided that the music should travel as much as possible, and for all the stress and extra management that touring requires, I am happy and feel lucky to perform in different parts of the country. I don’t always get to linger and enjoy them, but it’s worth it nonetheless! Tonight is Denver, tomorrow is Lincoln, Nebraska!

Stay tuned!

Current Listening: I’m really inspired by saxophonist Melissa Aldana at the moment, check her music out!

Brian Blade Fellowship

By , October 11, 2018 9:45 am

I first heard the Brian Blade Fellowship, now known as Brian Blade and the Fellowship Band, in 2003 when they performed at the Ballard Jazz Festival.  I was not familiar with any of the musicians in the band except for Blade, and it was honestly one of the most significant turning points in my musical development.  The songs were melodic, sweeping, and epic, and the improvisations throughout were creative and free of any cliche or standard ideas.  I had been in the Jazz Studies program at the University of Washington for a year or two, and that concert blew my mind.

After that, the band’s second album, Perceptual, was my musical world.  I listened to that CD obsessively, listening to the songs, and also thinking about how expressive the soloists were.  From there I went back to the first album, just called Brian Blade Fellowship, and then back to Perceptual, and then some time passed.

In 2006, my classmate and bandmate Tarik Abouzied called a group of musicians together to play:  me, Neil Welch, Evan Flory-Barnes, Nathan Vetter, and a piano player that had just recently moved back to town from the East Coast:  Tim Kennedy (I’ve talked about Tim several times on this blog in the past).  At the end of the hang, Neil played us a bootlegged recording he had of the Fellowship, playing live somewhere, and it blew my world up all over again!  It was all the feelings I had had in 2003, from the same band, and I listened to that recording non-stop once again, playing it and burning it for anyone that would listen.  The Fellowship did release more albums, which I picked up of course, then some time passed again.

In 2013 or 2014, videos of that bootlegged concert showed up on Youtube.  It turned out to be from the Jazz Baltica festival in Europe.  We finally had video of those songs we had listened to all those years back!  Now I’m going back once again, learning some of the solos from that concert, and it is great to dig in to this music again.  Here is a short clip of Myron Walden’s solo from the first song on the bootleg.  Thanks Brian Blade, Jon Cowherd, Chris Thomas, Myron Walden, Melvin Butler, Kurt Rosenwinkle, Dave Easley, and everyone else involved in the Fellowship!

 

 

 

 

Junior Walker

By , July 11, 2018 7:20 pm

My earliest memory of “Shotgun” by Junior Walker & the All Stars doesn’t actually involve the song, exactly.  I remember watching the Cosby Show with my family a lot as a kid, and I thought, when I was younger, that “Shotgun” was the theme song, at least for a couple of seasons.  As it turns out, it was a really a similar sounding song by Craig Handy called “Kiss Me”, but that confusion goes to show how iconic a song “Shotgun” is.

It’s been used in TV, movies, and everywhere in between, and in addition Junior Walker is one of the greatest Rhythm and Blues saxophonists of all time (as well as one of the first musicians my fiance and I connected over), so it was about time I dig into Walker a little deeper.  It helped that Walker’s birthday came around recently, and my friend, record collector/A&R Man/Super Supporter of Soul Music Colton Thomas (who I interviewed on the blog here) hit me up to suggest a little transcription in honor of the occasion.  This intro is just a start, and a work in progress; my first reaction to learning it was surprise that I haven’t had to learn flutter tonguing until now!  Here’s to filling more holes in my technique and learning new things!

 

A Corner of the Internet

By , June 25, 2018 2:03 pm

Thank you to everyone that’s watched the new video clips I have been putting up!

In the last several months, I thought a lot about what I wanted my career to look like online, and what I wanted to share and have accessible to others around the world (even if it’s just family and friends in Seattle and the random page view from somewhere else in the galaxy).  Video clips seemed to be a good way to put something out there musically that was independently my own content (kind of; the primary content owners so far have been David Fathead Newman and King Curtis, of course!) 

I wanted to be able to share musical elements with people that don’t necessary come to shows or performances that I am a part of, and I wanted to share material that I thought people should know about.  This affected the videos I chose to make, because in my online world I see a fair share of video clips that focus on bebop and bebop-influenced music, the type of saxophone playing that I would be most drawn to posting about, and all of the clips are burning; there are so many wonderful and talented saxophonists out there!

It’s very likely that out there on the interwebs somewhere is a huge contingent of saxophonists posting clips of and talking about R&B saxophone, and I have to break out of my bubble to see it.  If that is true, it is on me to expand my view and learn more about the styles I am exploring.  For now, I saw these Fathead Newman and King Curtis clips as examples of saxophone sounds that were underrepresented in my online circle, and I sincerely wanted to post something I cared about, something I thought people might like to see, that they don’t see a lot of on their feeds.

I guess the only other big part of online presence that I thought about was this website.  It looks a bit dated to me these days, but I’m also too busy (or too lazy) to try to revamp it myself, and I don’t have the money to pay a professional to make me something really hip, so the best I can do for now is keep it updated and blog as much as I can.  In that sense, I’ve already improved quite a bit over the last month or so, and hopefully I keep it up!

Thank you for reading and/or watching!

 

 

 

 

 

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