Category: Bands

Updates/Listening to the London Scene

By , September 11, 2017 1:26 pm

Hi all!

It’s been an eventful Summer:

–  Polyrhythmics played across the region, including the Eclipse Festival and the High Sierra Music Festival, where I had the opportunity to share the stage with both Skerik (who I talked with on the blog here) and Karl Denson, a musical highlight for me.  We added the finishing touches to the next album, set to release 9/20, and are asking fans, friends, and family to preorder it at http://www.pledgemusic.com/polyrhythmics .  Check it out!  There are other fun gifts and thank yous for supporting on that site as well.

–  Theoretics performed at Capitol Hill Block Party and are working on a new EP.  We’re continuing to move in a different direction from previous sounds, and I am really excited to continue.  To me, the music fuses a more composed, layered approach with a creative and spontaneous treatment of sounds and textures, and it’s changing how I think about writing and playing music, in a good way.  I hope to share it with you all soon!

–  I moved to a slightly different part of town with my girlfriend, a little more out of the way but still connected to what I need personally and musically.  With how busy things have been it has been difficult to really get settled (3 months later and we still have pictures to hang and boxes to unpack!), but all things in time.  Honestly, it has been nice to feel as though I’m getting away a bit when I come home; it has been easier for me to focus on what needs to get done.

 

In other news, I’ve been more and more interested in what seems to be a particular circle of creative musicians based in London, and it’s been fun to listen to their similarities and differences in sound based on that common geography.

I had heard the Heliocentrics from Adam, our drummer in Theoretics, quite a while ago, but recently, after they released a new full length album, I went back and got back into them.  In addition, they began popping up in my social media feed more.  Here is their drummer and producer, Malcom Catto, giving a tour of his recording studio (just click).  There also was a Gilles Peterson podcast on which Catto and bassist Jake Ferguson talked about some of their jazz influences, as well as influences outside of that genre like Ennio Morricone and Can.  Unfortunately, it looks like that podcast is not available anymore.

Listening to Gilles Peterson’s playlists after that was really informative because of their stylistic range; although genres like Electronica, Jazz, and Hip Hop are more fluid in America than they were 10 years ago, in my opinion, it seems they are still more fluid in Britain.

At the same time that I was listening to the materials above, I started listening to and following saxophonist Shabaka Hutchings.  As it turned out, Hutchings had worked with Heliocentrics in the past, but predominately plays with his own group Shabaka and the Ancestors, which sounds significantly different from Heliocentrics, in a good way.  Again, through social media I saw more and more from him – clips of interviews, concert footage (Hutchings posted a great clip of an Ancestors show where Kamasi Washington sat in, really beautiful), etc.  Also, check out his account of playing with the Sun Ra Arkestra:  A Meditation on my Experience with the Sun Ra Arkestra

A fourth element of this London scene I listened to was Yussef Kamaal, a duo collaboration with another unique take on creative London music.  Although the duo is no longer considered together, Kamaal Williams, aka Henry Wu, is quite active on my feed, and I’m interested to see what he does next.  And, as before, even with major differences in their musical approach, sound, and style, there is a common thread – Yussef Kamaal’s album Black Focus was engineered by none other than Malcom Catto of the Heliocentrics.

Anyway, I recommend checking out any of the artists mentioned above.  It has been enlightening and interesting listening to them over the last couple of months!

 

Art

 

 

 

Radio, TV, Books, Music

By , March 1, 2017 3:24 pm

Hi all!

Lots to catch up on here.  I got the chance to do a few local music and radio shows last month with some of my favorite musicians in town:

Tim Kennedy band on KNKX:  Tim has gotten pretty regular mention on this site for good reason, he has been a significant positive influence on me since I started playing music professionally.  In addition, I’ve listened to 88.5 since I was a boy, sometimes recording jazz overnight onto cassette tapes, so this show had an added personal importance.

Polyrhythmics on Artzone with Nancy Guppy:  I performed on Artzone with Theoretics several years ago, but never put up the footage.  Artzone is a program that’s really valuable to Seattle arts and culture, in my opinion.  I first started playing closer attention to it when there was a really endearing segment with Nancy and Bill Frisell

In addition, Theoretics were chosen to a part of Playback, the Seattle Public Library’s program that promotes and supports local music and artists.  There are a lot of great bands involved, so check it out!

All of these organizations, as well as ones I’ve talked about in the past like Seattle Art Museum and KEXP, are doing really essential work in nurturing local music.  I’m thankful to be working with them occasionally and, in turn, want to support them as best as I can!

I finished the My Life with Earth Wind and Fire, the autobiography of Maurice White, and found it to be beautiful; White was a passionate musician with a vision, and the trajectory of his life made for a moving story.  

I’m now reading Straight Life: the autobiography of Art Pepper.  I would venture to say it is much darker than White’s autobiography, and there are many tragic parts of Pepper’s life that the book covers, but it is just as moving.  The things that were done to Pepper and the things he did to himself and others are hard to read about at times, and the book has changed the way I look at the musicians and music of the 50’s and 60’s.

That’s it for now, hopefully more to come soon!

Possibilities

By , May 11, 2016 3:31 pm

IMG_0580

The Polyrhythmics tour to New Orleans and the Southeast, from Kentucky (or, as some call it, Kenpucky,) to Florida to North Carolina and beyond went relatively smoothly, with many new areas visited from both the band perspective and a personal perspective.  I enjoyed the cultures and people in the South so very much, and loved having the opportunity  to play music there; once again I felt a real appreciation for professional musicians and bands in the cities to which we traveled.

Even before this tour I had a few long drives, so I checked out a book on tape:  Possibilities, an autobiography by Herbie Hancock.  I really liked it!  Herbie goes into detail about how certain musical projects and bands came about, and what the dynamic was like in those groups, as well as how his musical philosophy changed (or stayed the same) throughout his long career.  Definitely some interesting perspectives from a guy that has been TCB’ing (Taking Care of Business) for quite a while.

I would also recommend, to other aspiring professional musicians in particular, this interview with drummer and producer Jojo Mayer that Adam Gross recommended to me.  There were a few observations from Mayer there about where you work and play music versus where you live, the decisions you make regarding your life as a professional musician, and what the music business means to him.  Good stuff.

I think each time I return home after 2 or more weeks away I engage in the same self-reflection, but once again it’s really hitting me that music is my professional future, both teaching and playing.  For a while after college it was in the background of my professional life; something I was doing intermittently when I wasn’t busy working.  Then, even when it was in the forefront, I assumed that someday I would have to push it back again.  I think I’m getting closer to eliminating that assumption, which feels really good.

 

 

 

 

More Focused Listening

By , March 23, 2016 5:03 pm

When David Bowie passed away, I was motivated to listen to more of his music, as I had really only heard his big hits previously.  As I have occasionally done with other artists in the past, I decided to start with his early albums and move through them chronologically (I wrote about this approach previously here).  Listening to his albums this way definitely taught me some things about the development of songwriting, exploring different sounds and textures in pop music, and how pop music can be inventive and unique.  I really missed the boat in not listening to his music earlier.

With an upcoming special event that Ben Bloom and the rest of the Polyrhythmics will be putting together in New Orleans for JazzFest, I moved on to do the same focused listening with the discographies of Fela Kuti and the Grateful Dead.  I knew a fair amount of Fela’s music, but almost none of the Dead’s music, and once again both experiences were significantly enlightening.  What struck me in listening to the Grateful Dead was how interesting the actual composed material was; it seems to me that they are largely known for the improvisational nature of their performances, but I enjoyed the written material just as much.

Fela’s music is, in its own way, a perfect example of the approach that I frequently talk about achieving:  a unique synthesis of all of his influences into an individual sound.  Throughout his discography you hear how he incorporated West African Highlife, Jazz, and Soul in the style James Brown in a way that allows them all to work together.  The political nature of his music and how fearless he was in declaring his views is also an important part of who he was, and how the music sounded.

Polyrhythmics have never claimed to be an Afrobeat band, or tried to accurately and faithfully execute Afrobeat music as Fela and others played it, but the influence is definitely there, and it would be irresponsible to ignore or downplay that.  I’ve thought a lot recently about my responsibility as a musician to not only acknowledge influences but to bring them to the front of conversation when talking to listeners or students about my playing, especially if they are not familiar with those earlier bands and musicians.  I haven’t done a great job with that, and hope to do better.

Art

 

 

 

Updates

By , February 16, 2016 1:39 am

12509159_10206925407631080_8076351819740086810_n

Thanks for another awesome photo, Chris Davis!

 

Hi all,

It may be a little late for a New Year’s post, but here are some things happening for me now and things I’m looking forward to this year.

The Unsinkable Heavies continue to play every 3rd Wednesday at the Seamonster, and we have had a few opportunities to get out and play some more around town as well.  The band has really come into a particular vibe and sound that I think separates it from other similar groups.  That kind of clarity is important with the Heavies since we all play in the Polyrhythmics as well, but I think the two are distinct and different musical experiences.

Both Polyrhythmics and Theoretics are keeping busy, working on new material while still trying to push outward and share our music.

Because Theoretics (at least in its current form) is a little newer, one of my goals for the band is to get some real momentum with both live shows and new music.  Over the last couple of months I’ve talked with more and more people that like what we do, which is really encouraging, and, as with the Heavies, our musical style is becoming more and more solidified.

With Polyrhythmics, I’m looking forward to working on more new material and continuing down the path that we largely started on last year.  I’ve started to participate a bit more in the creative process with the band, and I’m excited about what comes out of it.

Lastly, teaching is going well, and in addition to giving private lessons I feel really lucky to be able to work with Seattle Repertory Jazz Orchestra’s Jazz Scholars program, where I can help give musical inspiration and motivation to kids who may not have the same support that I did when I was their age.  Check out their page here for more information!

 

Art

 

 

 

East Coast, California, and Oregon

By , October 21, 2015 3:46 pm

IMG_2317
Home again home again after a busy couple of weeks:

– The Polyrhythmics East Coast Tour was overwhelmingly positive, both individually and as a group. Although our time in each area or city was usually pretty short, I really enjoyed being in areas where the moods, personalities, and cultures were a bit different than that of the Northwest, from New England to New York to DC to North Carolina. Equally interesting were the parts of some of the cities that I found really similar to Seattle and the Northwest; sometimes it was the way a town felt, sometimes it was the way the people were, sometimes it was something else. Regardless, there was strong support and love for our music, which was heartwarming. New York in particular was wonderful; I reunited with several friends with whom I always enjoy catching up.

– After that, our stops in California and Oregon were familiar in the best of ways. Many of the venues we’ve played several times before, and it’s comforting to know that the place you’re playing any given night likes you and will treat you well, and you will probably see some familiar faces too! I talked about music a lot with a couple of the guys on this run, discussing where we see our music (both as individuals and as a band) fitting in compared to all of the other music getting made out there. I always find those conversations very rewarding, and think it makes me a better musician (or at least makes WANT to be better).

The Polyrhythmics twitter and instagram accounts were pretty active on these runs, so there are more detailed descriptions of the tours here and here.

It is not easy to make tours like this happen (much of the credit should go to Ben Bloom, our guitarist and tour manager), and there are sacrifices each of us in the band make to do it, but I feel very fortunate to be along for the ride.

On to the next!

Updates

By , August 22, 2015 7:18 pm

July and the beginning of August has been some of the busiest times for me in recent memory!  Here’s what I’ve been up to:

 

– I went to Chicago to see my sister graduate and become a doctor in Psychology, very exciting!  Over the 4 years that she lived there I visited several times, and I enjoy that city very much; to me it has a very clear cultural identity that is colorful and rich.

 

– I played with Theoretics on KEXP’s morning show.  Although I had done an in-studio performance there before with Polyrhythmics, it is always thrilling to know you are being broadcast on the radio.  I also appreciate what KEXP does for creative music in Seattle (along with NPR stations KPLU and KBCS).

 

– I performed a few pick-up gigs with musicians I admire:  Tarik Abouzied, Ian Sheridan, Joe Doria, Brennan Carter, Jeff Johnson, and Jake Svendsen.  It’s always a pleasure to play music as well as talk with these guys and get their viewpoint on things.  Jeff in particular is someone I look forward to playing with every time because I view him as an older music master and local legend, so whenever I play with him I feel as though I’m with a mentor, and there is always something I learn from playing and hanging with him.

 

– I kept a steady weekend-warrior-style tour schedule up with Polyrhythmics and Theoretics.  I had the opportunity to play at the Capitol Hill Block Party, the Guitarfish Festival, the Northern Rockies Music Festival, the Kaslo Jazz Festival, Summer Meltdown, the South Lake Union Block Party, Doe Bay Fest, and the For the Funk of it Festival, and I traveled to cities and areas all around Washington, Oregon, Idaho, California, and Nevada.  Crazy!

 

I put up a bunch of new pictures in the Photos section, and I uploaded many videos from my travels onto a “Summer Performances 2015” playlist on my youtube channel ( https://www.youtube.com/channel/UCYy1yby1nObZRmIM1hh7G3A/playlists ) , so check those out!

 

– Art

New Orleans JazzFest 2015

By , April 30, 2015 5:47 pm

Hi all!

I’ve made a playlist on my YouTube channel with some of the short video clips I managed to take while in New Orleans.  They are very short, but it hopefully will give you at least small idea of the energy behind these live performances and the music happening here.  Go here and check out the New Orleans 2015 playlist for a tiny taste of Jazzfest!  In addition, there is a clip there of me from our performance at the Blue Nile, in the French Quarter district of New Orleans.

In addition to what I’ve said in the past about the high number of talented musicians in New Orleans and the supportive culture in the city surrounding live music, one of the other parts of the JazzFest experience I enjoy is meeting and talking to touring bands and musicians that are at the festivities for the same reasons we are, and sometimes these bands and musicians travel just as far.  It’s interesting to get their take on traveling and playing this kind of creative groove music.  In general, there seemed to be those people that were part of the core groups of bands, kind of like we are in Polyrhythmics, and then those independent musicians that get hired to play in this or that group or band.  These are the people that I found myself asking “who are you playing with this year?” because they may be in a different horn section or featured with a different group, etc.

Both of those types of conversations are equally fascinating to me, but I regret not talking more about just music and playing.  I feel as though this year if I became self-conscious or nervous I would fall back on those kinds of music business-type questions instead of asking about music.  Something to keep in mind for next time…

A few extra photos:  
  
Frenchman Street, where many of the live music clubs are all lined up.  This is definitely the street where I spent most of my time.
  
The blanket fort is from the friends’ house where we stayed.  The house was pretty small so I slept on the floor under the table, which led somebody to build me a fort…the sign says “Art’s Fort – BEWARE IT STIRS”
  
The third photo is our keyboard player Nate and I riding in our friends’ van to get to one of the gigs.  We had to borrow some drums so Nate and I made sure it got there.  Don’t worry, it had seatbelts!

I was going to add a photo of the Alligator sausage I had, but it tasted better than it looks, you’ll just have to trust me!


 

-Art

 

 

News

By , April 6, 2015 3:59 pm

Hi everyone!

Lots of exciting stuff happening.  Polyrhythmics just returned from 4-day west coast tour that culminated in a show at the Great American Music Hall in San Francisco, CA.  The Hall has been the site of many amazing concerts over the years, and is a beautiful room to play in.  I felt very lucky to play there!  The Polys will be going down to New Orleans for JazzFest once more at the end of this month, another place that seems like a blessing for me to visit.  I look forward to taking in as much music as I can and getting input and advice from other musicians.

1798801_10203591249373799_5772432801414670965_n

Theoretics are gearing up for several festivals this Summer, which is very exciting since the band is, to me, still pretty young, at least with its current sound, and I think there are a lot of new listeners out there that will really appreciate what we do.  Our Seattle show at the Tractor Tavern went very well, and we will be opening up for Robert Glasper on April 14 at Neumos.  I have enjoyed Glasper’s music for a while now (here’s an older post about him here ), so this is a great opportunity to maybe get a little closer experience!

Teaching is going well, although working out the education/performance balance is constantly ripe for improvement.  For the future, I am thinking of experimenting with Skype lessons while on the road, as well as keeping students more informed about what touring and performing is like.  Perhaps a mailer or more consistent blogging is in order…

Art

P.S.  Check out The Main Squeeze.  This is the band we shared the stage with in San Francisco.  Great stuff!

 

 

Greetings From The Road!

By , February 18, 2015 11:24 pm

The Polyrhythmics are currently on our way out of Louisiana, heading toward Colorado.

IMG_1124 (1)

The Mardi Gras celebration in New Orleans was more colorful and vibrant than I could have imagined, and although the multiple parades and costume balls range from neighbor and family friendly to parties that were for older folks, the one thing that was everywhere was MUSIC!

Just as it was last year after our trip to NOLA during JazzFest, I was sad to leave the city. I love being a part of the music community in Seattle, and I never want to leave it, but it always feels special to be in New Orleans, and I think it’s a city I want to continue to visit throughout my life.

Other news: Theoretics have released a new EP, and I think the music we made on it is unique, exciting, and creative in a way that I am very proud of. You can check it out here: https://soundcloud.com/theoretics/theoretics-fugue-state

A few other recent performances I found really musically fulfilling:

Tim Kennedy Quintet at Tula’s – Tim’s original material allows all of us to interact and make great music together.

Lucky Brown and the Super Premium Chiefs at Port Townsend’s Strange Brewfest – More on Lucky here

 

We’re moving on to Wyoming and Idaho from here, then we head home to Seattle.  See you all soon!

– Art

 

 

 

 

 

 

 

 

 

Panorama Theme by Themocracy