Category: Listening

New Listening

By , January 15, 2013 3:06 pm

WARNING:  EXPLICIT LANGUAGE

I love that movie.

Over the past couple of weeks, I’ve enjoyed a real boost in new stuff to listen to.

When I heard that Easy Street Records in Lower Queen Anne was going away, I headed over to Sonic Boom in Ballard.  I hope to make it a monthly trip.  I bought “Oblique”, by drummer and composer Tyshawn Sorey.

I’ve also been rocking the library quite a bit, which is a HUGE resource.  Between the opportunity to place holds on items at any branch and the jazz sections that I can comb through whenever I go in, I’ve found a lot of great stuff.  Checked out albums by Loren Stillman (also the saxophonist on “Oblique”), Donny McCaslin, Ike Sturm, Ben Allison, and several other jazz artists, as well as Noah and the Whale, Little Dragon, and other bands from different genres.  It feels great!

I’m really hoping this recent boom will help me find some more specific ideas and approaches to both improvising and composing, and I’m excited to see if that’s the case.

 

 

 

 

Listening

By , April 4, 2012 12:30 pm

Two tracks I can’t get enough of right now:

Claudia Quintet – Keramag, from Royal Toast

I love the melody that first shows up at 1 minute 1 second that the vibes and piano play together. It gets moved around and displaced throughout the entire song.

Christian Scott – American’t, from Yesterday You Said Tomorrow

For me, this one is all about the guitar part 32 seconds into it.

Listening

By , August 9, 2011 1:06 pm

Above: an old favorite from dogsitting not too long ago

 

 

I’m in a funk, and not the good kind.
Some tunes that have been helping me when I’m feeling down lately:

 

Homebase NYC – Sleep (featuring Coco O.)

Band of Horses – No One’s Gonna Love You

Gretchen Parlato – Weak

Mark de Clive-Lowe at Nectar

By , January 21, 2011 11:31 am

This is a repost of my entry for my friends over at Rust and Rum:

Mcguirk met up with me to check out Mark de Clive-Lowe at Nectar in Fremont. MdCL is not necessarily a DJ as much as a beatmaker, with a bunch of drum machines and keyboards around him on stage that he uses together, and he does it really well. The music was awesome, and the vocalist who was with him, Sy Smith, was on everything perfectly, even doing some a capella dj-ing of her own.

There definitely seems to be this strand of electronica that’s jazzier and a little less driving than other linear, hypnotic trance and techno, and I definitely dig it. My main resource for it is City Soul Radio, a program on KBCS 91.3 that is put on by Sun Tzu Sound, a local DJ collective, but watching MdCL do his thing last night made me want to get more into it. Here’s a clip I got from Mcguirk that does a pretty good job of showing what we saw last night:

And here’s another song that I would put in the same genre. I heard this a long time ago and still want to buy it, but so much of this stuff is impossible to get in the U.S. I may just have to pony up the money to buy an import…

Allen Ginsberg, Steve Coleman, and Focused Study

By , November 12, 2010 5:23 pm

A couple of weeks ago Brittany and I went to see Howl, a recent film about Allen Ginsberg, his poem titled “Howl”, and the landmark obscenity trial that followed a public reading of it in San Francisco.  It really got me interested in Ginsberg’s work, so I’ve been reading “Collected Poems, 1947-1997″, an anthology Ginsberg himself compiled, adding his own notes and explaining certain passages.  It’s been really enlightening to read his work in chronological order; it allows you to trace his progression from stricter, older forms to a voice and style that’s unique and singular.  Reading Ginsberg’s poetry in this way also allows you to pick up certain symbols and references that he comes back to over and over, sometimes over a period of years, and these act as signposts and markers that make the writing easier to navigate.

I’ve really enjoyed this focus on one artist, one body of work, and I’m curious about whether that kind of focus would be as fun with the music I practice and listen to, so for the next unknown amount of time I’m going to focus my small and unworthy amount of musical study to Steve Coleman.

Coleman is a good choice for a several reasons:  He has a very clear set of musical theories and approaches, he has a lot of material available online, and I’ve wanted to get deeper in his music for a while now.  I plan on starting just as I did with Ginsberg, and move from his first recording to the present, as long as its still interesting to me, and hopefully it will have the same effect as the poetry:  picking up signposts, hearing his style progress and solidify, etc.  It should be a fun experiment!

–Art

Speak

By , February 26, 2010 11:48 am

speak

Speak is a 5-piece band that plays creative instrumental music drawing on a wide variety of influences.  Some of the members, like Chris Icasiano and Luke Bergman, I’ve mentioned in this blog before from their work with other groups like Bad Luck and Motorist, and I work with Aaron Otheim in Hardcoretet.  I’ve known saxophonist Andrew Swanson for several years, the same amount of time as the rest of the guys mentioned above. 

I realized that it was quite difficult for me to talk about the music and the band in a satisfying way, so I went to Aaron for help.  After all, if I wanted to put out a truly accurate description of Speak, why not go to the source?

As Aaron tells it:  “I think it’d be good to mention that Speak began as a straight-ahead-sounding jazz group that was originally Andrew, Chris, Luke and me, but that our sound evolved to incorporate elements of classical music and rock – the music each of us grew up playing and listening to.  This shift in sound was definitely strengthened when Cuong Vu joined the band as his musical aesthetic and playing style reflect a similar trajectory.”

Before Cuong Vu began teaching at the University of Washington and playing with the group, he had already become fairly well known in creative music circles.  The Trio had come to Seattle a couple of times, including a show at the Tractor featuring Bill Frisell that saxophonist Stuart McDonald told me was one of the best shows he had seen in a long time, and Vu had begun touring with Pat Metheny.  So it was very exciting to hear that he would be teaching in town, and then even more exciting when he started playing with Speak.  The result of the year or so that the quartet had put in combined with this later collaboration that has now been going on for longer than that has resulted in the band’s self-titled debut CD, available here.  Aaron went on to talk a little bit more specifically about the music:

“Another important component: most of the “solos sections” actually consist of collective improvisation, meaning that everyone is improvising together… no real soloists. The heads of the tunes themselves all have very specific parts worked out, however, much more akin to a classical composition or the way a rock band might rehearse. This provides a very strong structure that frames each improvisation, giving us a clear focus on where the improvisation should go, but not necessarily how it should sound.”

The CD release show and the album itself put all of these concepts on display, moving from sections of pointillistic modern classical music to free improvisation to experimentation with electronic sounds and the layering of indie-rock. 

Speak will get a chance to showcase their sound outside of the Northwest soon, at performances in Colorado, the Stone in New York and the Saalfelden Jazz Festival in Salzburg, Austria.

Congratulations, guys!

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